By F. A. PALEY
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Extra resources for A MANUAL OF GOTHIC MOLDINGS
X. 22, 24, 40. drawing which represents the outline of these projections recesses, is called the section or profile of a molding, being the appearance right angles to it would present its bearing. if cut through by a plane at Thus PL. A b, would present the appearance of I. fig. fig. 5. 10, if cut across INTRODUCTORY. A mold, or molding (the former is the ancient term), monly signifies the entire arch but ; A we com- which ornaments a jamb or of such series. a is when placed said to be grouped, generally find group series here generally used in the sense of a particular it is member Members are part or tion, as 11 them ; in combina- but bunch of moldings separate or members, standing prominent or isolated, either on a shaft or between two deep hollows.
It seems certain that all the forms of Gothic Moldings are the peculiar and genuine offspring of Christian architecture, or at least are very partially styles and indirectly borrowed from the Classic although, as might be expected, some coincidences of ; There are some who contend that form exist between them. Gothic moldings are derived, mediately indeed, yet very decidedly, from Koman when we observe least), ; a supposition hardly probable in Norman the that in entirely undeveloped able, England at which was most closely connected with the Classic, the forms of the moldings which we and style (in itself, ; call Gothic are merely nascent, and one which appears scarcely ten- from the consideration that the mediaeval architects of this country* could have known little of Italian architecture, and if they had, we cannot suppose they would have cared to copy in its details what they altogether repudiated in its kind.
II. fig, 11, is an example of a molding from Over, Cam- bridgeshire, truly copied according to the above rules. is the distorted and inaccurate form if an unpractised and untaught draughtsman were to copy PL. it to attempt by the eye. II. fig. 7, is an Early English molding from the of the chancel door, Cherry Hinton. fig. Fig, 12 would probably assume it Fig. 8 is interior a pier-arch, 6 the northern doorway of the same church. and 'Fig. 19 is a very fine molding from the inner door of the south porch.